In one week, the paperback of ‘Serpents in the Cold’ comes out – 5/24/16. With a sweet new cover, I hope the novel pulls in some new readers. Noir is a term thrown around a lot these days, but Thomas O’Malley and I think our novel justifies the term (or at least we hope so).
Alan Glynn (author of Limitless) says, “There is a classic noir sensibility at work in Serpents in the Cold, complete with its uncannily rendered sense of time and place, but the novel is also suffused with a thoroughly modern understanding of loss, pain, damage and the price of loyalty. It’s not often you get to pair gritty with lyrical, but you certainly do here.”
“The 1950s seems a familiar decade, nestled in a buoyant post-war economy that expanded the middle class and generated an avid consumer society. But before the Princess phones, Eldorado tailfins and backyard Weber grills, there was a short, but sharp, recession. By 1951, Boston was still struggling.
This is the year, and this is the town, of “Serpents in the Cold,” a skinned-knuckle mystery by co-authors Thomas O’Malley and Douglas Graham Purdy. In the best noir tradition, these co-authors shine a smoky light on lives often lived in shadows; in this case, the inhabitants who lived in Scollay Square and the West End of Boston, before it all disappeared under the developers’ wrecking ball…
A noir novel can be the high, slippery tightrope of mysteries. It’s difficult to sustain a dark, moody balance; many writers slide right off into caricature. But O’Malley and Purdy let in just enough daylight – even if it’s harsh winter light – to hold out hope of redemption.”